Apparently, there is a new definition of creative control. Pay for the entire television series, cast yourself as the leading lady, personally select your leading man and then insist on more than 60 kissing scenes.
Yes. Sixty.
A recent Chinese short-drama production reportedly became so kiss-heavy that the director and crew warned the investor that the romance was beginning to interfere with, you know, the actual story. More than 20 intimate scenes were ultimately cut, reportedly leaving the plot looking like someone had taken a pair of scissors to it.
But the part that bothers me isn’t just the kissing. Although that did cross boundaries and should have been addressed.
It’s the power.
When one person controls the money, the casting, the script and potentially whether the entire production continues, how much freedom does anyone else really have to say, “No, this isn’t okay”?
And where was the protection for the actor?
The young actor, Zhong Yufei, has alleged that his boundaries were crossed during intimate scenes. The production team has since said it intends to establish clearer protections for actors and responsibilities in future contracts.
Because money can buy a lot of things.
It can buy a production.
It can buy creative control.
Apparently, it can even buy 60 kissing scenes.
But it shouldn’t buy someone’s ability to say no.
And this is where art gets into trouble. When the person holding the checkbook becomes the person making every creative decision, the question can quietly shift from “Is this good?” to “Can anyone afford to tell me it’s bad?”
That’s not artistic freedom.
That’s artistic capitalism with tongue.
And unfortunately, this isn’t exactly a new phenomenon.
We’ve always had people with money who believe that because they paid for the table, they also get to decide what’s served, how it’s cooked and whether everyone has to eat it.
Maybe the real lesson here is that every production needs something money can’t provide.
Someone in the room who has the power to say, “Absolutely not.”
Even if the person writing the check doesn’t like it.
Especially then.
Categories: Culture, current events, Film, Leadership, mental health, Pop Culture, Psychology, TV





money controls everything except your ability to say no.
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“Creative Control of Money”
Indeed Money is Only a Story
Dear Miriam And Those Who are
Part of the Story Must Play by whatever
Story Lines of the Money Story With Enough
Money
Story
Rewards
to Provide
Food And Shelter
Among Many Many
Other things as the
Money Story Gains More
And More Control until Money
Becomes a God Not Easy to Escape
Voila Not always a Statue of Liberty
Capitalism Births
Among Many
Other Stories
Born as
Religion
This
Way
Part of the
Story so Hard
to Escape unless one
Finds Another Story to Be
Long too or Even Write Direct
Produce and Play themselves
It’s Possible to Live no Longer
Servant and or Slave to the Money Story
God
Yet it takes
Both Luck
and Lasting
Wit to Escape
Soylent Green
And Master it as
Currency instead of Master
oF all
We Do
Ah What a Relief
When Loving Peace
Becomes the Breath
Indeed all the Pay Grade
Pay Rate and Currency We Do
so
Free
maybe not
We yet me
is enough so far any
way
hehe..:)
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The power has always been there – someone who has the money decides.
But the individual artist can always say no – and it might cost them the job, and getting on a blacklist of uncooperative actors.
It’s that the artists fear – and rightly so: money-owners don’t like being told ‘no.’
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